The Magic Power of Bubbles

That’s me, blowing a little magic around!

It was late in the afternoon and Dr. Bounce and I were making rounds on the 4th floor of the hospital, where the patients were mostly infants.

We had finished checking in with the charge nurse, who said most of the patients were asleep. So we walked down the corridor checking the rooms. In one, I noticed one toddler in his crib, laying quietly on his side and just staring out into the hall.

We looked around. No parent or guardian. No hanging thingy mobile. No TV soundtrack. He was just staring, and he looked bored. But he didn’t look uncomfortable.

I looked at Bounce and said, “Let’s sing him a lullaby.”

We stood at the door. Dr. Bounce stands about 6-foot-6, yet when he crouches down he is only 3-foot-8.He proceeded to blow some bubbles very slowly. One breath at a time, watching each float downward until it disappeared. While he did that, I played a simple rhythm on the guitar.

The little boy, Dr. Bounce and I were all mesmerized by each and every bubble. It was as if we were being hypnotized, just watching each bubble float until it hit a hard surface and popped. From the crib, there was no change in facial expression, no smile, no reaching to pop a bubble. But the eyes followed the path of each watery sphere.

We stayed in this space for what seemed a long time but I am sure it was only a few minutes.

I played the music softer and slower and Dr. Bounce blew fewer bubbles. Sometimes when we do this, the child will cry because he wants more. But this boy didn’t do that. As we were slowly backing out his door, we saw him slowly clap his hands together about four times.

Instantly, both Dr. Bounce and I teared up. “That’s the way to do it!” I told him.

We hospital clowns often hear people say, “They’re too little for clowns.” This is because most people don’t know the spectrum of entertainment we can provide, the knowledge we have about the different stages of child development, and our finely honed ability to read the emotional temperature of a sick room.

When administered properly, bubbles and lullabies can work magic.

Hospital Orientation

Raise your hands now: How many of you have never seen the clowns before?

Raise them again if this is your first time seeing the clowns.

Don’t I look like I know something about fun? Many thanks to photographer George A. Taylor, MD.

Interesting. About the same!

Each member of Big Apple Circus Clown Care a is a professional performer – not a volunteer – selected for skill and sensitivity during a grueling audition process. Our training prepares us to work in the hospital environment. We learn proper hygiene and hospital procedures. We’re screened, we’re vaccinated, and we undergo an annual safety review. Our artistic quality and hygiene procedures are evaluated on a regular basis by our own “Joint Commission” on clowning.

Eight of the most talented and dedicated of these clowns can be found in the Clown Care program at Children’s Hospital Boston (CHB). There, they work with the hospitalized children, their parents and the hospital staff to ease the stress of serious illness by reintroducing laughter and fun as natural parts of life.

Collectively, and without boring you with details, some of their outstanding credits include:

  • Ringling Brothers Clown College graduates and teachers
  • Nationally and Internationally recognized
  • Performances from the streets to the center ring. From comedy clubs to the Lincoln Center. Broadway to Cirque Du Soleil.

Ironically (or maybe not), three of them were hospitalized at CHB as small children.

Patch Adams drew attention to the positive effect of humor and healing. Unlike us, however, he is a doctor who plays a clown. We are professional clowns who play doctors (one of my colleagues calls himself “Dr. Gongolfin.”)

Making clown rounds

Since 1995, the Clown Care Unit has been making clown rounds at Children’s. That’s 325 inpatient beds a week, 3 intensive care units, 11 floors of clinics and everything in between. We get our rundowns from the charge nurse or childlife specialist on all the floors we enter. They let us know any special details that will affect how we do our jobs. Do we need to take special precautions with any of the patients? Is anyone vision impaired? Unable to hear?

Here are some of our DOs and DON’Ts:

DO have fun. Join in! A problem shared is a problem divided, and a joy shared is a joy multiplied.

DON’T ask us to be associated with a painful procedure. Wait till after.

DON’T assume that someone is too young or two old for clowns. We have age-appropriate material for newborns to adults.

Professionalism and sensitivity, combined with the commitment to our art, are the keys that unlock the many doors of the hospital and bring us into the hearts of the children, families and staff. In the short time that we’ve been at Children’s Hospital Boston, I have discovered how important  and what an honor “IT” is to be able to “Walk someone to the door.”

There are many doors of the hospital. Registration, Admitting, Pre-Op, the elevator, the exam rooms, the cafeteria, the garden, and the front door. Even the door from this life to the next.

All these doors taught me a trick that is sure to make anyone smile:  Miss the door and walk right into the wall!

Bunny Tales

It was Eastertime and I was doing my classic bit where I would take this 2-inch stuffed rabbit and do a little puppet routine on a table top. I would sing the “Hokey Pokey” and perform a little dance with the toy.

” You put your right foot in . . .You put your right foot out . . .” STOP.

I would look around the room, sniff the air, and continue: ” You put your left foot in . . . You put your left foot out.” STOP.

I’d pick up the rabbit, smell it, and make a face as though I’d just noticed a foul odor.

Then, I would ask the person next to me to smell the rabbit and tell me if they thought it smelled  funny. In most cases people were hesitant to sniff. They were afraid that it was going to squirt water at them. However, I assured them that it wouldn’t.

When they finally placed it to their nose, I asked. “Does it smell funny?”

“No.”

“It should. It’s the ETHER BUNNY!”